Showing posts with label The Park Theatre. Show all posts
Showing posts with label The Park Theatre. Show all posts

Afternoon Headlines: some exciting doin's a transpirin' at the Park Theatre

>> Tuesday, 20 August 2013

Just a couple quick Park-Theatre-related announcements to pass along this afternoon...


First up, indie-pop/rock guru Destroyer (aka Dan Bejar) hits the venue for a solo performance on Friday, November 8th. 

Sunday, October 20th brings Kalle Mattson w/ the Bonaduces to the joint. 

And finally, Matt Mays drops by the sound room on Tuesday, October 29th w/ Adam Baldwin (sooo good in Firefly)

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Morning Headline: The Dodos @ The Park Theatre

>> Wednesday, 5 June 2013


Ramshackle indie-folk-pop pairing The Dodos return to Winnipeg for a gig at the Park Theatre on Sunday, September 15th. Cousins starts the party. Look for the duo's new record, Carrier, on August 27th.

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Afternoon Headlines: Fish & Bird @ The Park

>> Friday, 3 May 2013



West coast folk act Fish & Bird is at the Park Theatre on Tuesday, May 21st w/ JD Edwards, Kacy & Clayton.

BC's Shred Kelly is at the Windsor on Monday, July 29th w/ Loon Choir.

You know what Greg MacPherson show I mentioned a few posts ago? It has conspicuously disappeared from the Albert's Facebook page. So consider that "not happening."

Plumes is at the CYRK on Tuesday, May 28th.

Overheard at the Gym approx. 5-6 years ago "I had to drop $400 to see The Eagles, but it's worth it since they never tour." Speaking of which...The Eagles will be here for the third time in around six years. Check them out at the MTS Centre on Monday, September 16th or if money's tight wait until next year.

Alice in Chains is at the MTS Centre on Monday, July 8th w/ Monster Truck and Chevelle.

And finally, Lauren Mann & The Fairly Odd Folk is at the Park Theatre on Tuesday, June 25th.

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Morning Headlines: Rococode, Mac DeMarco, Shotgun Jimmie, From Giants all book dates @ The Park Theatre

>> Wednesday, 10 April 2013



First up, solid triple bill going down at the Park Theatre on Thursday, April 18th: Vancouver indie-pop/rockers Rococode play the joint. Salinas and Animal Teeth complete the bill.

Speaking of the Park...Mac DeMarco and his band will be there on Wednesday, June 26th w/ Departures.

Join Shotgun Jimmie and Cannon Bros at the Park on Saturday, May 25th.

And finally, burgeoning local folk band From Giants is releasing its debut EP, This Burden is Light, at the Park Theatre on May 9th. Keri Latimer opens.

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Evening Headlines: The Fugitives @ The Park Theatre; Misty-Eyed over Father John not coming

>> Wednesday, 20 February 2013



First up, The Fugitives return to Peg City for a date at the Park Theatre; show goes down on Saturday, March 23rd.

Add Jordan Klassen to the Wednesday, April 17th Pickwick show at the Park Theatre.

Scratch Blue Hawaii off the April 4th Doldrums show at the Windsor and add Sean Nicholas Savage plus Tim Hoover (thanks to Dave for the heads up).

And finally, on its official Twitter feed, the Pyramid has confirmed that Father John Misty cancelled his Winnipeg gig. Time for a good cry.

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In my younger and more vulnerable years...three records that had a lasting impact on Lindi Ortega

>> Thursday, 7 February 2013

Welcome to a new feature on Painting over Silence in which musicians share records that had a lasting impact on themselves and discuss what it is about these albums that were - or continue to be - so important toward their own musical development. 


For the inaugural edition of In My Younger...Tennessee-via-Toronto-based Lindi Ortega and her wonderfully powerful, show-stoppin' pipes shares three records with us that have left an enduring impression on her.

Touring in support of her fourth full-lengther, Cigarettes and Truckstops, the talented alt-country purveyor pops our fair city for a date at the Park Theatre on Valentine's Day. Dustin Bentall and the Smokes are also on the bill.





Johnny Cash - At Folsom Prison

First of all, I don't know what's more outlaw than going to a prison and holding a concert for a bunch of inmates. Nothing gets me more than a live album, especially a live album done well. This record is a great example of that. Johnny Cash shines in this performance. I love all the little in between quips and the little mess ups here and there that remind us listeners that this is a live show -- raw, and unedited. Now lets get to the songs... I have to say Folsom Prison Blues is one of my favorite Johnny Cash songs ever, mostly because this line "I SHOT A MAN IN RENO JUST TO WATCH HIM DIE" crushes me every time! Johnny's juxtaposing lyrics and melodies have been a big influence on my own music as well as his signature chick-a-boom guitar stylings. With songs like The Long Black Veil, I Still Miss Someone, and amazing duets with June Carter Cash, namely an outstanding performance of JACKSON, you'd be hard pressed to find anyone who doesn't love this record.



Hank Williams -  40 Greatest Hits

I love this record cause it's a compilation of all the great Hank Williams tunes and some of my most favorite are on it, like Lovesick Blues, I'm so lonesome I could cry, and Your Cheatin' Heart. The first Hank Williams song I ever heard was I'M SO LONESOME I COULD CRY, and I remember it really resonated with me. I'd say no one does a good old lonesome broken heart song like Hank. He's definitely inspired most of my love gone wrong tunes!  






Willie Nelson - Teatro

This is a great road album. I just love listening to it when I'm in the tour van watching the scenery blur by. First of all I love that its produced by Daniel Lanois. I've always loved his production style. Second, it has the wonderful Emmy Lou Harris singing harmonies, and last but not least it's chock full of stellar guitar playing and wonderful songs. 

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Afternoon Headlines: The Men to play the WECC; Two Hours Traffic @ The Park Theatre

>> Saturday, 26 January 2013


Oooo. This should be a raucous party. As per Pitchfork today, Brooklyn-based indie-rockers The Men has booked an extensive world tour that includes a stop at the West End Cultural Centre on Sunday, April 14th. Ticket info TBA.

Hmmm. Couldn't sworn I listed this one, but I don't see it on the right: Justin Rutledge will be at the Park Theatre on Wednesday, February 20th.

Speaking of the Park...Charlottetown's own Two Hours Traffic pop by on Tuesday, April 2nd. Rah Rah kick off the evening.

And finally, Snowblink is there on Saturday, May 25th.



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Afternoon Headlines: Born Ruffians @ The Park Theatre; Ivan & Alyosha as well

>> Wednesday, 23 January 2013

Photo by Vanessa Heins

Quirk-pop purveyors Born Ruffians is gearing up for the release of its third record, Birthmarks, scheduled to hit the streets on April 16th. And, natch, a new LP is best paired with a trek across Canada, a 14-date jaunt that brings the foursome to the Park Theatre on Wednesday, March 27th. Ticket info TBA.

Meanwhile...folk-pop twosome Ivan & Alyosha will make the trip to Winnipeg for a date at the Pyramid on Tuesday, April 30th.

And finally, add Said The Whale to the Stars' gig going down at the Garrick on March 27th.

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Said The Whale To Play The Park; Gobble Gobble @ The Lo

>> Monday, 11 July 2011



According to their Tumblr site, earnest Vancouver acoustic-rockers Said The Whale are currently hard at work recording their third studio album (due sometime in 2012) and are slated to embark on a X-Canada sojourn this fall, after the recording sessions. Check them out at the Park Theatre on September 19th.

Also, experimental pop outfit Gobble Gobble play the Lo Pub on July 16th (thanks to Anon for the heads up). 


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In Winnipeg Music News...Blink 182, Sam Roberts, Carmen Townsend

>> Wednesday, 8 June 2011

Just a few notes...

Blink 182, Rancid, and Against Me are at the MTS Centre on August 25th.

Sam Roberts returns to town on Tuesday, November 1st for a date at the Centennial Concert Hall.

And finally, Nova Scotian singer-songwriter export Carmen Townsend is at the Park Theatre on June 20th. 

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In The Know...Oh Susanna Takes Soon The Birds On The Road

>> Friday, 3 June 2011

Photo by Heather Pollock

Sometimes, when planning a tour, it’s handy to just reach out to a label mate and see if they’re interested in coming along.

That’s the simple and pretty straightforward approach Toronto-based singer-songwriter Oh Susanna (Suzie Ungerleider) took when piecing together her current cross-Canada tour. For the duration of this "He Said, She Said" tour  Oh Susanna will share headlining duties with Matthew Barber, another Toronto-stationed musician also flying under the Outside Music banner.

For Oh Susanna, it’ll be a chance to perform and show off the many stunningly beautiful songs housed within her brand new record, Soon The Birds, her first in four years. As with previous outings, her vocals are strong and irresistible and her narratives are thoughtful and engaging; but, this time around the folk-country arrangements are more expansive, more venturesome, courtesy of the many guest musicians on Soon The Birds (Jim Cuddy from Blue Rodeo, Ruth Moody, Burke Carroll,  to name a few).

I hooked up with Oh Susanna last week over the phone and talked to her about the gap between records; the dual role of mother/musician and the resulting changes to her creative process; and her contribution to Survivorman’s album (yes, THAT, Survivorman).

Painting over Silence: Soon the Birds is your sixth proper release. Where was the album recorded?

Oh Susanna: It was recorded in three studios: one in Acton which is near Toronto, but sort of in a rural area; in the Woodshed Studio, which is Blue Rodeo’s space; and a lot of it was done at David-Travers Smith studio, on the West Side of Toronto.

PoS: David Travers-Smith also produced Soon the Birds. What made him the right fit for this effort?

OS: He mixed my last record, and I love hanging out with him. He’s a very smart, very funny person who is meticulous in his work ethic and who has the ability to hear frequencies I cannot! *laughs*

I love the production he’s done with other people like the Wailing Jennys. I felt like he was someone who is flexible, would want to work with people that I have already worked with, and who would bring new people to the table. Which he did. He’s a wonderful human, very talented guy, and he’s also a musician, so that’s a bonus too!

PoS: If I’m subtracting correctly, it’s been four years between proper releases? Why the extended period between records?

OS: The main reason why is that when I recorded Short Stories I was pregnant, and then I had my baby, released the record, and toured some of that record. If anyone who’s out there has a kid and is reading then they will know that you get preoccupied with being a mom and childcare. So I had to figure out how to write songs when I had this person that needed attention.

And it took a really long time to actually record the record, partly for this reason. I had to do a lot of the recording and overdubbing in these little short spaces of time, unlike my previous records where I could work twelve hours a day on them. With this one I said “Well I can come in for two-and-a-half hours this afternoon since my son is in kindergarten.” *laughs*. Having a balance has been good for me – I love being able to work for long stretches of time, but, on the other hand, I could take breaths and reflect on what we’ve done and really figure out if that was the right course to take.

PoS: As with previous efforts, your lyrics tend to be fictional and narrative-based instead of strictly drawing from personal experience. What is it about telling these kinds of stories that works better for you as an artist?

OS: Because I’m a fraidy cat! *laughs* I don’t want anyone to know about what I’m doing.

But, seriously, in some ways I don’t feel that what I’m thinking about or what I’ve done is all that exciting to put into music. I think I’m a bit of a voyeur or I like to project myself into other peoples’ circumstances. I’m interested in songs that help me do that, so maybe that’s what I’m trying to do with my own music. There are certain songs that touch on things I’ve lived through or the emotions that I’ve had, but, you’re right, a lot of them are narratives and mainly about other people. I find it very fascinating to find out how someone else would do things and wearing a mask helps me figure that out.

PoS: So now you have the chance to take these stories on the road, including June 6th at the Park Theatre in Winnipeg. How did this “He Said, She Said” tour with Matthew Barber coming into being?

OS: Matthew and I are on the same label – Outside Music – and I think we have a lot of mutual respect for each other. I wanted to find someone to tour with who would make a nice pairing, and I find his voice and his songs are very warm and thoughtful. We kind of approached him and said “would you like to do this?” He agreed, so that was a very nice thing.

PoS: Will you be performing some songs with Barber?

OS: Yeah! I’ve been listening to his new record and learning some harmonies, and I’m hoping he’s figured out some stuff from my songs. He’s totally open to that. I’ll have my set, he’ll have his set, but I’m hoping that we’ll invite each other up when we’re playing our respective music.

PoS: There’s a lot of vocal harmonies and a ton of players on this record, so I’m curious: Who currently comprises your backing band?

OS: I’m very stripped back. *laughs* It’s going to be me and Burke Carroll who plays pedal steel on the record. Matthew’s just going to be on his own, so maybe, if I convince him, he’ll play. Winnipeg’s not going to see the full-fledged thing since it’s probably going to evolve as we keep touring – you guys are going to see the first show that we’re doing – but he’s going to have a piano and a guitar, so I’m hoping he’ll come and play piano with me. Most likely there’ll be singing going on.

PoS: Finally, what’s on the horizon after this tour?

OS: After the tour, I’m going to do some summer shows and festivals. I just came back from being a singer for Les Stroud, who is a tv star on Survivorman.  I don’t know if you know him from Discovery channel?

PoS: I know about the show, sure.

OS: He’s actually a musician as well. So he recorded this record with a whole cast of characters this week at his solar-powered bar. They set up near Huntsville and we recorded nine songs in two days pretty much live off the floor. He also made a DVD of it.  So, who knows – I think Les wants to do some kind of tour – but I don’t know if that’s going to happen for awhile yet. I’m still buzzing from that experience. Then, in the fall, I’m doing some shows with this group called the Abrams brothers who are a roots group from Kingston. They’re young guys - 19 or 20 year-old guys who are incredible musicians.

Catch Oh Susanna on Monday, June 6th at the Park Theatre with Matthew Barber. 

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In Winnipeg Music News...An Horse @ Park Theatre; Miri @ The Albert

>> Wednesday, 11 May 2011


Brisbane indie exports An Horse return to Winnipeg for a date at the Park Theatre on June 27th w/ Enjoy Your Pumas. The duo are touring in support of their sophomore release, Walls, which dropped on April 26th.

Icelandic alt-rockers Miri make their debut at the Albert in two days (May 13th) as part of this year's Nuna Festival.

And finally, Southern arena rockers Kings of Leon play the MTS Centre on October 4th. Band of Horses to open? Stay tuned.

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In Winnipeg Music News...Timber Timbre @ The Park Theatre; Kid Koala @ The WECC

>> Tuesday, 22 March 2011


Mark then highlight and underline this one on your calendar: Timber Timbre performs at the Park Theatre on May 26th, touring in support of his much-anticipated second effort, Creep On, Creepin’ On. Look for the new album on April 5th via Arts & Crafts.

DJ/Turntablist Kid Koala returns to Winnipeg for a date at the West End Cultural Centre on April 21st; joining him on the bill is local hip-hop act Magnum KI.

Whilst on the subject of the WECC, singer-songwriter Hayes Carll plays there on May 29th.

Rapper Tech N9Ne drops by the Pyramid on May 16th.

Finally, some bad news for those secretly hoping one day for a pre-Machina Smashing Pumpkins all-original-lineup tour (ie - me):  July 4th sees a still-active A Perfect Circle (Maynard, James Iha, et al.) return to Winnipeg for a show at the Centennial Concert Hall.

And now, back to dreaming…

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In Winnipeg Music News...Hot Panda @ Lo Pub; Kim Churchill @ Pyramid; PoS Advances to Round 2!

>> Thursday, 10 February 2011


Firstly, Edmonton’s finest indie-pop-rockers Hot Panda are keeping up their relentless touring schedule in support of their sophomore offering, How Come I’m Dead. Their current trek includes a stop at the Lo Pub on March 6th.

Twenty year-old Australian singer-songwriter Kim Churchill drops by the Pyramid on March 4th; he’s also playing an in-store set at the Folk Festival store earlier in the day, at 2:30.

March 22nd at the Park Theatre features a live performance by Juno-nominated jazz vocalist Emilie-Claire Barlow.

Upstart local songstress Emma Cloney is dropping her debut LP, Something to Say, on March 8th.

Pretty sure I mentioned this, but it’s not on the right, so perhaps it’s an unforgiveable oversight: Winnipeg soul/rock duo Imaginary Cities – who blew this blogger away when I saw them open for the RAA last year – are releasing their debut, Temporary Resident, tomorrow at the Lo Pub. The album officially hits store on February 22nd.

And lastly, Painting over Silence…ADVANCED TO ROUND 2 in CBC Radio 3’s Searchlight competition for “Canada’s Best Music Website”?!?! Thank you, thank you, thank you to everyone who voted for this site!

If you’re still up for some voting action, please help Painting over Silence advance to the round of 30 by casting your ballot here.

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In Winnipeg Music News...Boats Sign To Kill Rock Stars; GZA @ Pyramid

>> Saturday, 5 February 2011


First up, HUGE news out of local band Boats’s camp: the zany-pop makers have signed to the very happening Kill Rock Stars record label (home to such indie luminaries as Deerhoof, Marnie Stern, and Xiu Xiu). Look for Cannonballs, Cannonballs to be released via KRS on March 1st. Big congrats to them! Oh, and they'll be performing at the Lo Pub on March 11th.

Terrific triple bill at the Park Theatre on March 23rd: Aidan Knight, We Are The City, and The Liptonians.

The United Steel Workers of Montreal have booked a coast-to-coast tour in support of their latest offering, Three on a Tree; they’ll be at Times Change(d) on February 15th.

Hamilton’s Lee Harvey Osmond drop by the Park Theatre in a few days time, on February 10th.

Wu-Tang Clan founding member GZA (aka The Genius) is at the Pyramid on March 15th.

Resident musical-genre-defiers Flying Fox & The Hunter Gatherers are launching their newest disc, Hans My Blood, at the West End Cultural Centre on April 16th.

And finally, Painting over Silence has been longlisted for CBC Radio 3’s Searchlight competition for the “Canada's Best Music Website”!?! My blog is up against heavyweights like Exclaim, Coke Machine Glow, and, er, The New Pornographers website, so advancing may take some effort. If you’re up for helping Painting over Silence move onto round 2, please vote once per day here.

Much thanks and love to whoever nominated my site. Or is it whomever?

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In The Future...PS I Love You/Diamond Rings Double Bill; Braids; Children's Rehab Rockout

>> Monday, 17 January 2011



First up, great double-bill going down at the Lo Pub on March 25th: guitar-and-drums pair PS I Love You continue their tireless touring schedule in support of their excellent disc, Meet Me At Muster Station (#9 on my personal top ten records of 2K10 list) w/ lo fi indie-popper Diamond Rings.

Oft-buzzed-about indie act Braids release their debut disc, Native Speaker, tomorrow before embarking on a major North American tour; the massive trek includes a date at the Albert on April 2nd.

Resident singer-songwriter Ingrid Gatin performs at the Exchange Community Church on January 22nd.

Speaking of Winnipeg talent, the Children's Rehab Rockout – a local band competition/charity fundraiser featuring 5 up and coming Peg City bands – takes place on February 17th at the Pyramid. All proceeds go toward the Children’s Rehabilitation Foundation.

Also, The Bluebird North Songwriters’ Showcase – featuring Don Amero, Bean, Scott Nolan, and James Struthers – is being held at the Park Theatre on Tuesday, February 8th.

All ten members of Five Alarm Funk will bring their fun and relentlessly energetic live show reputation to the Pyramid on March 4th.

And finally, prog-metal act Protest The Hero return to town for a gig at the West End Cultural Centre on March 30th w/ Maylene and the Sons of Disaster & Tesseract.

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In The Future...The RAA @ The Pyramid; Curran/Costelo @ Park; And More!

>> Thursday, 13 January 2011



For the third time in just over a year, Painting over Silence banner gracers The Rural Alberta Advantage are rolling through town. But this time around, they’re changing up the venue (and the ticket price): they’ll be at the Pyramid on March 31st. Tickets will run ya $25.

Eastern Canadian folk treasures Amelia Curran and Erin Costelo make up a solid double bill at the Park Theatre on May 10th.

Winnipeg fav Del Barber performs at the Park Theatre on April 9th.

The 2010 Juno Award winners for Roots & Traditional Album (Group) were none other than the Good Lovelies; see the award-winning Toronto-based trio at the Park on March 7th.

And finally, for a good time, try Plants & Animals at the Pyramid on February 26th w/ Yukon Blonde.  

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In The Future...Born Ruffians, The Fugitives @ The Park Theatre

>> Saturday, 1 January 2011

Editor's note: I'm currently out of the country on vacation. Regular updates to resume January 6th. 

Cheerfully off-kilter indie-rockers Born Ruffians return to Winnipeg for a March 19th date at The Park Theatre.

Vancouver's The Fugitives have cobbled together a short Western Canadian tour, a series of dates which includes a stop at the Park on March 11th.

Old news that's still worth repeating: Motorhead plan to blow the roof off the Burton Cummings Theatre on February 12th.

And finally, Happy New Year! Thanks for reading and following Painting over Silence, and cheers to the upcoming year.

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In The Flesh...Bahamas @ The Park Theatre

>> Sunday, 5 December 2010

Bahamas
The Park Theatre
Winnipeg, MB
November 30, 2010


.

Outside: snowy, windy, and cold.

Inside: inviting, intimate, and warm.

But just a little too warm for Afie Jurvanen. And he calls himself Bahamas.

“So, uhh, I’m wearing long johns right now,” confessed the songsmith, halfway through the main set. “I’m not sure it’s a good idea.”

The discomforting heat source? A combination of an SRO crowd at the Park Theatre and the many new jaunty and upbeat songs he debuted throughout Tuesday night’s terrific double-encore-inducing performance.

From first note to the final acoustic strum, Jurvanen and his one-person touring band (Jason Tait, the man behind the Weakerthans’ kit) entertained a rapt, enthusiastic crowd with his unaffected songs, rumbling baritone, and off-beat charm.

What’s truly appealing about Jurvanen is his quirky stage presence and idiosyncratic personality. Many times he half-danced while playing guitar, and these playful moves brought fun and spontaneity to the intimate show. Many times he sparked big laughs during his candid song preambles (one story he told bordered on uncomfortable; ever the perfectionist, Jurvanen instantly admitted plans to edit the tale in the future).

And it’s this level of open honesty – whether preamble or instant self-evaluation – that lent a magical charm to the whole evening. A thunderous set of handclaps encouraged him out for an encore (after he shed the long johns somewhere backstage).

Then ecstatic clapping brought him out again.

And we all know it’s the double encore that’s truly special.

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In The Know...Interview with Bahamas

>> Sunday, 28 November 2010



In not even two years, Bahamas (aka Afie Jurvanen) has gone from guitarist-for-hire to opener to headliner.

Along the way he’s cobbled together an enviable cv – touring guitarist/pianist for Feist; opener for Amy Milan and Wilco; and, most importantly, Juno nominee and Polaris long lister for his stellar debut release, Pink Strat.

He’s currently in the middle of on his first-ever headlining tour of Canada (with drummer Jason Tait of Weakerthans fame), a coast-to-coast sojourn which includes a stop at the Park Theatre on Tuesday night.

Suggestion: attend. Next time he rolls through, it’ll be at a much larger venue.

I caught up with Jurvanen on Friday and asked him about the current headlining tour experience; how Weakerthans’ drummer Jason Tait came to be a part of Bahamas; and when fans can expect the sophomore record to enter the world.

Painting over Silence: You’re currently on your first ever headlining tour of Canada. What’s the experience been like so far?

Afie Jurvanen: It’s been really fantastic so far. We’ve done about a week-and-a-half worth of shows – we started in St. John’s and have been working our way across - and there have been lots of people. The shows have been full and people have been singing along, and they know the record. They’re participating in the show, and it’s really been a nice surprise.

For the past year-and-a-half we’ve been opening for other bands, so it’s kind of new territory for us to play a longer set and explore a wider breath of material, which I’ve really been enjoying.

Painting over Silence: After the success of Pink Strat – including a Juno nomination for Roots Album of the Year and a spot on the Polaris long list – is Bahamas now a full-time gig or will you continue to work/tour/collaborate with Feist, Jason Collett, et al.?

AJ: It’s definitely a full-time thing. When I was playing with those artists you mentioned that was very much a full-time thing as well. I’m not a very good multi-tasker – I basically would rather dedicate myself to one thing and try and really do it the best I can and be present in those moments. It’s not just music, too. Its life in general. It’s so easy to coast through things and not really be aware of who you’re with, whether it’s a musical thing or being with a partner. It’s become increasingly more important for me to be there in the moment, and, for me, that means dedicating myself to one thing.

I really have fond memories of those times, playing music with those guys. But now it’s taken over. If I really want to get the most out of it, I have to be dedicated to it, and I really have the energy for it. I may as well take it while the energy is there.

PoS: So, the band is yourself and Jason Tait.

AF: That’s the band.

PoS: How did you originally hook up with Jason?

AF: We’ve actually been playing together for quite awhile now. We sat down next to each other at a show in Toronto, at Massey Hall. I don’t know if you know that venue.

PoS: Actually, yeah, I saw the Flight of the Conchords there.

AF: *laughs* Cool. I sat down – got a ticket from somewhere – and he sat down next to me. And we started chatting. We had run into each other before because the music community in Toronto is pretty small. He already had my record – I sorta silkscreened a limited run before my actual cd came out and given it out to friends. Somehow he got a hold of one and knew all the songs, and before I had a chance to bring it up, he sort of volunteered himself and his drum set and I thought, man, this could be really cool. And so we played a gig together the next week and we’ve been playing together ever since. The Weakerthans schedule has kinda worked out perfectly, but I should knock on wood at some point.

It’s worked out perfectly up to this point, but we’ll see what happens next year. I’d love to keep playing with him.

PoS: I read that you’ve been writing and recording a new record. How is the new material coming along?

AF: We’re constantly doing that – it’s not like we have a huge recording budget to go in for weeks on end and make an album all in one chunk. We’ve been really, really busy touring and playing and when we have some time we chip away at it. I’d say it’s about 80% there. I’d really love to put another record out sometime spring next year. 

I’m pretty excited about it. It’s really formed by the live show - that’s not to say it’s a live record - it’s definitely a studio record. There’s an energy there that we were able to bring with us through all this touring we’ve been doing, and it’s informed the recording in a really nice way..

PoS: Any working album titles? Perhaps after another guitar?

AF: *laughs* Well, maybe. I think I’ll keep those ideas to myself for now. If I tell you something now, I’ll have to stick to it.

PoS: Has your approach to writing and recording changed this second time around?

AF: Not really. I sort of go through bursts. I go through moments when I feel really inspired. But then I get caught up doing domestic things – laundry, bills, and such – and you almost forget about that side of your brain and the desire that is with you.

The first record I wrote pretty much while I was on tour – in dressing rooms and playing in other people’s bands. This one’s really no different in that regard except that now I’m on tour playing my own music. It’s going to be more of an insular process, I think, obviously just a little more compressed time-wise because I’ve been away touring for some time.

PoS: You’re playing Winnipeg on Tuesday night. Are there going to be some new songs in the set list?

AF: Absolutely. We get to play a longer set now and obviously the first record is only a half-an-hour long. The nature of time just means we get to play new songs, which is really exciting for the band. The response has been really nice, and a lot of people seem to already know them.

PoS: Last question. 2011 is just on the horizon. What are your plans for the New Year?

AF: I’m just really enjoying playing right now and feel lucky to tour as much as we have in Canada, just on this record. It would really be a thrill for me to play down in the states a little more, and I’m hoping to do that. We have some plans to go down there in the spring time.

And, hopefully, get this record out and come back to Winnipeg again and again and again.

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