In The Flesh...Bahamas @ The Park Theatre

>> Sunday, 5 December 2010

Bahamas
The Park Theatre
Winnipeg, MB
November 30, 2010


.

Outside: snowy, windy, and cold.

Inside: inviting, intimate, and warm.

But just a little too warm for Afie Jurvanen. And he calls himself Bahamas.

“So, uhh, I’m wearing long johns right now,” confessed the songsmith, halfway through the main set. “I’m not sure it’s a good idea.”

The discomforting heat source? A combination of an SRO crowd at the Park Theatre and the many new jaunty and upbeat songs he debuted throughout Tuesday night’s terrific double-encore-inducing performance.

From first note to the final acoustic strum, Jurvanen and his one-person touring band (Jason Tait, the man behind the Weakerthans’ kit) entertained a rapt, enthusiastic crowd with his unaffected songs, rumbling baritone, and off-beat charm.

What’s truly appealing about Jurvanen is his quirky stage presence and idiosyncratic personality. Many times he half-danced while playing guitar, and these playful moves brought fun and spontaneity to the intimate show. Many times he sparked big laughs during his candid song preambles (one story he told bordered on uncomfortable; ever the perfectionist, Jurvanen instantly admitted plans to edit the tale in the future).

And it’s this level of open honesty – whether preamble or instant self-evaluation – that lent a magical charm to the whole evening. A thunderous set of handclaps encouraged him out for an encore (after he shed the long johns somewhere backstage).

Then ecstatic clapping brought him out again.

And we all know it’s the double encore that’s truly special.

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In The Future...Loudon Wainwright III @ The WECC, Les Jupes @ Plug In Gallery...

>> Wednesday, 1 December 2010

Photo: Paula Court

So…Martha was here in the summer. And…her brother, Rufus, is, well, currently here.

Finally...their Dad, Loudon, becomes the third Wainwright to play Winnipeg in less than 365 – he’ll materialize at the West End Cultural Centre on January 28th.

Two members from horror-metal act Gwar will appear at CD Plus (1630 Ness) this Saturday from 3 to 4. Over/under on cascading cd racks is at a generous five.

Erstwhile PoS interviewee / rising local hip hop star Magnum K.I. performs at the Pyramid on January 23rd.

Speaking of rising Peg City bands, Les Jupes are releasing their new record, Modern Myths, on January 11th and are celebrating the album release at the tres chic Plug In Gallery on January 15th.

Moses Mayes get their funk on at the Pyramid on January 22nd.

Electro Quarterstaff, Rebel Yell, and L’Viv comprise a triple-bill at the Albert on December 23rd.

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In Giveaways...Two Copies of Jim Bryson & The Weakerthans' CD The Falcon Lake Incident

>> Tuesday, 30 November 2010



Christmas has come a little early for Painting over Silence readers.

Courtesy of our supportive, Santa-like pals at MapleMusic Recordings, I have two cd copies of Jim Bryson's collaboration with The Weakerthans (you've heard of them, right?) for giveaway.

Entering is as per usual: fire me off an email (on the right) by Tuesday, December 7th @ 14:00 with the subject line "The Falcon Lake Incident CD Giveaway", your name in the body, and, just for fun and to kick start you thinking about your personal year-end top ten list (full-details about this coming in a few days), tell me a few of your favourite albums of 2010. I'll draw the winners out of a toque and contact the lucky pair shortly after.

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In The Know...Interview with Bahamas

>> Sunday, 28 November 2010



In not even two years, Bahamas (aka Afie Jurvanen) has gone from guitarist-for-hire to opener to headliner.

Along the way he’s cobbled together an enviable cv – touring guitarist/pianist for Feist; opener for Amy Milan and Wilco; and, most importantly, Juno nominee and Polaris long lister for his stellar debut release, Pink Strat.

He’s currently in the middle of on his first-ever headlining tour of Canada (with drummer Jason Tait of Weakerthans fame), a coast-to-coast sojourn which includes a stop at the Park Theatre on Tuesday night.

Suggestion: attend. Next time he rolls through, it’ll be at a much larger venue.

I caught up with Jurvanen on Friday and asked him about the current headlining tour experience; how Weakerthans’ drummer Jason Tait came to be a part of Bahamas; and when fans can expect the sophomore record to enter the world.

Painting over Silence: You’re currently on your first ever headlining tour of Canada. What’s the experience been like so far?

Afie Jurvanen: It’s been really fantastic so far. We’ve done about a week-and-a-half worth of shows – we started in St. John’s and have been working our way across - and there have been lots of people. The shows have been full and people have been singing along, and they know the record. They’re participating in the show, and it’s really been a nice surprise.

For the past year-and-a-half we’ve been opening for other bands, so it’s kind of new territory for us to play a longer set and explore a wider breath of material, which I’ve really been enjoying.

Painting over Silence: After the success of Pink Strat – including a Juno nomination for Roots Album of the Year and a spot on the Polaris long list – is Bahamas now a full-time gig or will you continue to work/tour/collaborate with Feist, Jason Collett, et al.?

AJ: It’s definitely a full-time thing. When I was playing with those artists you mentioned that was very much a full-time thing as well. I’m not a very good multi-tasker – I basically would rather dedicate myself to one thing and try and really do it the best I can and be present in those moments. It’s not just music, too. Its life in general. It’s so easy to coast through things and not really be aware of who you’re with, whether it’s a musical thing or being with a partner. It’s become increasingly more important for me to be there in the moment, and, for me, that means dedicating myself to one thing.

I really have fond memories of those times, playing music with those guys. But now it’s taken over. If I really want to get the most out of it, I have to be dedicated to it, and I really have the energy for it. I may as well take it while the energy is there.

PoS: So, the band is yourself and Jason Tait.

AF: That’s the band.

PoS: How did you originally hook up with Jason?

AF: We’ve actually been playing together for quite awhile now. We sat down next to each other at a show in Toronto, at Massey Hall. I don’t know if you know that venue.

PoS: Actually, yeah, I saw the Flight of the Conchords there.

AF: *laughs* Cool. I sat down – got a ticket from somewhere – and he sat down next to me. And we started chatting. We had run into each other before because the music community in Toronto is pretty small. He already had my record – I sorta silkscreened a limited run before my actual cd came out and given it out to friends. Somehow he got a hold of one and knew all the songs, and before I had a chance to bring it up, he sort of volunteered himself and his drum set and I thought, man, this could be really cool. And so we played a gig together the next week and we’ve been playing together ever since. The Weakerthans schedule has kinda worked out perfectly, but I should knock on wood at some point.

It’s worked out perfectly up to this point, but we’ll see what happens next year. I’d love to keep playing with him.

PoS: I read that you’ve been writing and recording a new record. How is the new material coming along?

AF: We’re constantly doing that – it’s not like we have a huge recording budget to go in for weeks on end and make an album all in one chunk. We’ve been really, really busy touring and playing and when we have some time we chip away at it. I’d say it’s about 80% there. I’d really love to put another record out sometime spring next year. 

I’m pretty excited about it. It’s really formed by the live show - that’s not to say it’s a live record - it’s definitely a studio record. There’s an energy there that we were able to bring with us through all this touring we’ve been doing, and it’s informed the recording in a really nice way..

PoS: Any working album titles? Perhaps after another guitar?

AF: *laughs* Well, maybe. I think I’ll keep those ideas to myself for now. If I tell you something now, I’ll have to stick to it.

PoS: Has your approach to writing and recording changed this second time around?

AF: Not really. I sort of go through bursts. I go through moments when I feel really inspired. But then I get caught up doing domestic things – laundry, bills, and such – and you almost forget about that side of your brain and the desire that is with you.

The first record I wrote pretty much while I was on tour – in dressing rooms and playing in other people’s bands. This one’s really no different in that regard except that now I’m on tour playing my own music. It’s going to be more of an insular process, I think, obviously just a little more compressed time-wise because I’ve been away touring for some time.

PoS: You’re playing Winnipeg on Tuesday night. Are there going to be some new songs in the set list?

AF: Absolutely. We get to play a longer set now and obviously the first record is only a half-an-hour long. The nature of time just means we get to play new songs, which is really exciting for the band. The response has been really nice, and a lot of people seem to already know them.

PoS: Last question. 2011 is just on the horizon. What are your plans for the New Year?

AF: I’m just really enjoying playing right now and feel lucky to tour as much as we have in Canada, just on this record. It would really be a thrill for me to play down in the states a little more, and I’m hoping to do that. We have some plans to go down there in the spring time.

And, hopefully, get this record out and come back to Winnipeg again and again and again.

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In The Future...Martin Sexton @ The Burt; Bruce Cockburn @ The Burt; Jicah @ The Pyramid

>> Wednesday, 24 November 2010

A few more shows of note to pass along:

Resident pop outfit Jicah are at the Pyramid on December 19th; local singer-songwriter Tom Keenan is also on the bill.

Folk demi-god Martin Sexton is at the Burton Cummings Theatre on the 1st of February.

And lastly, tireless singer-songwriter / activist Bruce Cockburn returns to town on April 5th for a date at the Burton Cummings Theatre.


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In The Future...The Jon Cohen Experimental @ The Cavern; Twilight Hotel @ The WECC; and more...

>> Tuesday, 23 November 2010



Austin-via-Winnipeg roots pair Twilight Hotel (Brandy Zdan & Dave Quanbury) have a new record out in the New Year, When The Wolves Go Blind (street date: January 18th); catch them perform tracks off it, February 4th at the West End Cultural Centre.

The Perms are at the Cavern in a few days (November 26th) w/ Alarm at the Biltmore and the Hoots.

The Jon Cohen Experimental (led by the titular frontman himself, formerly of the Dears, The Social Register) is there on January 14th.

Christian Hansen & The Autistics are at the Park Theatre on November 26th then drop by the Cavern the night after.

Melissa McClelland opens for Sarah MacLachlan on March 8th at the MTS Centre.



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In The Know...Interview with Ra Ra Riot

>> Thursday, 18 November 2010



While calling it a grower would be a gross overstatement (and a bad pun), Ra Ra Riot’s new record, The Orchard, certainly requires more time and patience from listeners.

Compared to its album predecessor, that is.

Whereas debut release The Rhumb Line was rife with immediate and familiar hooks, The Orchard houses less direct hooks in favour of more complex arrangements and layered melodies. Overall, the record is more accomplished and more rewarding that anything they’ve done before - just try not to get sucked in by the mellifluous, spirit-elevating strings on “Boy” and the thumping motorik on “Massachuettes”.

Yesterday evening I spoke with violinist Rebecca Zeller on the phone and asked her about the band’s recent appearance on Last Call with Carson Daly, the decision to record the album on a peach orchard, and how their first trek through Western Canada is going.

Catch Zeller and the rest of Ra Ra Riot – vocalist Wes Miles, guitarist Milo Bonacci, drummer Gabriel Duquette, cellist Alexandra Lawn, and bassist Mathieu Santos – this Saturday at the Garrick with Wintersleep.


Painting over Silence: You’ve logged some serious kilometers all over North America the last while, including a stop in L.A. for Last Call with Carson Daly. What was that experience like?

Rebecca Zeller: Well, actually, it was sort of non-traditional because they came to our L.A. show, and they just filmed it, so it wasn’t like we went on set and into the studio. They just came without Carson.

PoS: Oh. So you didn’t actually get to meet him?

Rebecca Zeller: Nope! *laughs* I know.  It’s weird.

PoS:  I read that the new record, The Orchard, was written in a peach Orchard located in upstate New York. What made the band decide to seclude themselves and pen the bulk of the record in such a place?

RZ: It sort of was the best option. We needed a place to write the album. We all live in New York City right now, but rehearsal and practice spaces there are expensive, they’re small, and you don’t really get any windows or anything. We didn’t really think that was, you know, an inspiring place to write our next record, so we started looking in upstate in New York. Milo, our guitarist, had friends who owned the orchard and were actively trying to sell it. It was a big coincidence and we really lucked out and were able to stay there and housesit it from them while they tried to sell it.

We were just looking for more of an inspiring place than what we were able to afford in New York.

PoS: And this experience made you christen the new album after the orchard?

RZ: It surprisingly came much later in the game that we titled it The Orchard. We written it, recorded it, mixed it, and put it in order. Analyzing the themes throughout, it sort of came to light that everything was really influenced by our time on the orchard and our overall experience. It made sense to title it after that.

And then after that came the picture – the album artwork is a picture of the house where we wrote the album.

PoS: Was the recording and mixing also done there?

RZ: No, it was also done in upstate New York but a bit further east: sorta between Saratoga Springs and Albany. It was done in Black Dog studio. We would’ve love to record at the orchard, but they had sold it.

PoS: Chris Walla of Death Cab for Cutie mixed the majority of the record. How did this relationship come about?

RZ: About two years ago this spring we toured extensively with Death Cab for several months in the early spring and then a bit more in the summer. Through this experience we became friends with all of them and Chris had expressed interest in being involved in our new record. We had decided to produce it ourselves, but when it came time to choose a mixer, it sort of made sense to go with Chris. We have a lot of respect for what he’s done in the past, and we really connected with him as a person. It seemed like a great option.

PoS: And Rostam Batmanglij from Vampire Weekend mixed a track too?

RZ: He actually co-wrote that song with Wes, our singer. It was something Wes and Rostam had worked on for the Discovery record, but I don’t they ever really developed the idea. Wes thought it would be a good song for us, so we thought we should give it to Rostam to mix and see what he could do with it. And we wound up really loving it. We thought it would add a different colour to the album.

PoS: Shifting gears to the tour…you’re playing Winnipeg, my hometown, with Wintersleep this Saturday night. I’m curious: is this your first time through Winnipeg and Western Canada for that matter?

RZ: Yup. We had previously been to Vancouver and Victoria, but already on this tour we’ve been up in Whistler and then yesterday in Nelson. Today we did the drive from Nelson to Calgary, which was about 12 hours.

PoS: That's a long journey!

RZ: *laughs* Yeahh….It’s been really long hours driving, but it’s been really beautiful, which is nice. It’s also nice to see different parts of Canada. It’s a beautiful area.

PoS: Where I live, Winnipeg, because of our population size and geographic proximity to other cities can be, well, unfavourable to bands. What motivates Ra Ra Riot to tour all over and not just hit the major metropolises?

RZ: In general, or on this tour specifically?

PoS: In general.

RZ: Sometimes you get better shows there.

PoS: So then how was the show in Nelson? (Population: 10, 000 or so)

RZ: It was *really* good. Unfortunately, we had low expectations and even when we started playing, no one came to the front of the stage area. But, within five minutes, it was rocking and actually really, really awesome. A lot of smaller cities have music fans that aren’t really as spoiled as people who live in major cities and they don’t get to see a lot of bands.

So people who appreciate music and bands are really enthusiastic because they don’t get it as frequently.

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